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Monthly Archives: October 2013
Adel Abdessemed’s Zidane bids adieu to Doha
On October 24, Artreview launched its annual Power 100 with its annual ado. Topping a list of mega-dealers and institutional-curators-cum-Institutions-themselves was Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani. No small wonder – the head of the Qatar Museum Authority is … Continue reading
Latifa Echakhch wins the Marcel Duchamp Prize!
So, admittedly, we had a lot of horses in this race, having worked with three of this year’s four Prix Marcel Duchamp nominees – Latifa Echakhch, Raphael Zarka and Claire Fontaine – for Baibakov Art Projects’ 2010 exhibition Perpetual Battles, which was … Continue reading
Manifesta receives nearly triple the state funding as the Moscow Biennale
In the wake of the 5th Moscow Biennale, the Russian Ministry of Culture took a stand when it comes to strengthening Russia’s cultural position, even considering the possibility of forming a national ideology (as strongly advocated by filmmaker Nikita Mikhalkov, who … Continue reading
Where the Women Are: Some thoughts on London’s Frieze Week
Last week, the art world descended on London for the ever-more-established Frieze Art Fair and its sophomore sister Frieze Modern. While what was once the “emerging,” “intellectual” fair has started to feel more and more expected, Frieze still had a … Continue reading
Posted in London
Tagged Anna Boghiguian, Elmgreen & Dragset, Emdash Awards, Etel Adnan, female artists, Frieze Art Fair, Gagosian Gallery, gender politics in contemporary art, Kaelen Wilson-Goldie, Lutz Bacher, Maria Lassnig, Mark Leckey, Mira Schendel, Mounir Farmanfarmaian, Pilvi Takala, Rumours&Recognition, sexism in art, The Show is Over
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Boris Groys pulls out of the Kyiv Biennale Discussion Platform, following Petitions
For its inaugural 2012 outing, the Kyiv Biennale supplemented its exhibition “The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art” (that cheerful title courtesy of curator David Elliot) with a series of lectures known as the … Continue reading
Posted in Kyiv
Tagged Alexander Solovyev, Art Worker's Self-Defense Initiative, ArtLeaks, Boris Groys, Censorship in the Ukraine, Contemporary Art in Kyiv, Contemporary art in Ukraine, Great and Grand, Katya Degot, Kiev Biennale, Koliivschyna: Judgement Day, Kyiv Biennale, Mystetskyi arsenale, Natalya Zabolotna, Nikita Kadan, Vladimir Kuznetsov
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The Young Folks: Garage Young Artist Grants and the Kandinsky Prize Shortlist
While the Moscow Biennale arrived without much ado, the side projects provided a wonderful opportunity to get to know some of the emerging Russian artists, many of whom have been recently recognized with grants. As Baibakov Art Project’s Kate Sutton … Continue reading
Posted in Moscow
Tagged Anya Zhelud, Anya Zholud, Arseny Zhilyaev, ArtChronika, ArtChronika Foundation, contemporary art in Moscow, Evgeny Granilshikov, Garage CCC, Ilya Dolgov, Irina Nakhova, Ivan Gorshov, Kandinsky Prize, Kate Fowle, Ksenia Sorokina, RECYCLE, The Garage Center for Contemporary Culture, The ZIP Group, Timofey Parshikov, Xenia Sorokina, Young artists in Russia
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