In memory of Vlad Mamyshev-Monroe, 1969-2013

Monroe as Lyubov OrlovaYesterday, the Russian art world was struck by the news that the much-adored artist Vladislav Mamyshev-Monroe had been discovered, drowned in a shallow swimming pool while on vacation in Bali. Most famous for his impersonations of his namesake, Marilyn Monroe, or her Soviet equivalent, Lyubov Orlova, the artist more recently has become something of a social media icon for gay rights in Russia. While the Russian art world has lost some of its own before – quite recently even, with the passing of Oleg Vassiliev – Monroe’s death registered as a shock, not only because he was all of 43 years old, but also perhaps because the artist had always seemed larger than life to begin with.

Gallerist and provocateur Marat Guelman confessed that at first he thought it may be an elaborate hoax, in line with Monroe’s playful practice. Artist Sergey Bugaev-Afrika – who came of age alongside Monroe in Leningrad – publicly declared that he suspected something darker, noting that Monroe had signed the infamous 2010 petition “Putin Must Go”: “The word on the street is that he drowned. He was always a bit of a hooligan, it’s true, but the ability to drown in less than a meter of water was not one of his skills. His death looks a lot like murder, but I doubt we will ever find out what happened…”

It seems that personalities like his are entirely fake, just an invention,  but then at some point you come to realize that everything is actually absolutely genuine. Nothing else. Vladislav was a master of the mega-magical transformation. People like that can be everyone and no one, all at the same time. 

Vlad as Lyubov OrlovaMonroe entered the scene in the late 1980s and early 1990s, when Leningrad was ruled by squats. He was a fixture as the first wave of raves hit what-would-soon-be St Petersburg, a close ally of Timur Novikov, Andrey Khlobystin and Afrika, collaborating with curator Kathrin Becker on “Pirate TV” – placing Monroe within the ranks of the first video artists to emerge in the Post Soviet era. You can get a sense of his charisma in the short film below, January Blizzard, 1991, which was made by director Evgeny Kozlov  (who is included in this year’s Venice Biennale.)

Later, Monroe would branch out, exploring other identities, both male and female. For his part of “STARZ” (a parallel project to the First Moscow Biennale in 2005, that focused one floor each on artists Monroe, Oleg Kulik, AES+F, and Dubossarsky&Vinogradov – the link is down, otherwise we would provide it), the artist styled himself over in such controversial get-ups as Jesus Christ, Hitler, the Pope and Putin. You can get a sense of his mastery of slapstick in Cafe Elegant, a 2008 clip that was part of his New Pirate TV program:

Mamyshev GromykoPredominantly known for his warmth and sense of humor, Monroe had a tenderness and toughness that made him an ideal advocate for gay rights. The cross-dressing in his work did not only apply to the artist himself.  In 2010, Monroe presented a series of portraits of the members of the GKChP (State Committee on the State of Emergency, who attempted a coup against Gorbachev in 1991), now touched up with drag make-up. That same year,  when the artist was savagely beaten on the streets – a flagrant act of gay-bashing –  he documented his recovery process through Facebook, speaking out about the culture of homophobia in Russia (a culture which is only increasing, now with the national Duma considering enacting Petersburg’s infamous statute against “homosexual propaganda.”)

Monroe, Left Eye Right Eye 2010Monroe will be laid to rest in St Petersburg. Meanwhile, the Moscow Museum of Modern Art has announced that admission to Monroe’s current exhibition – images from his turn on stage playing Polonius, presented as part of the Olga-Sviblova-curated “Festival of Fashion and Style in Photography” – will be free for the rest of its run.

Monroe as Polonius

Advertisements
This entry was posted in Moscow, St Petersburg and tagged , , , , , , , , , , . Bookmark the permalink.

18 Responses to In memory of Vlad Mamyshev-Monroe, 1969-2013

  1. Vladimir says:

    R.I.P Dear Vlad

  2. JANSSEN Rita says:

    Monroe was a magnificent artist. I had the honour to vsit him in his studio. And I had the incredible chance to meet him 2 weeks ago during the opening of his exhibition at MOMA in Moscow. He was a beautiful and spectacular and lively as ever. His Parting is a great loss for the Russian and international art community. He will be remembered and for always be with us. Rita Janssen-Belgium

  3. Pingback: Nikolay Bakharev another feature of Massimiliano Gioni’s “Encyclopedic Palace” | Baibakov Art Projects

  4. Pingback: Pasha 183′s tragic passing draws attention to Russian street art | Baibakov Art Projects

  5. Pingback: Трагический уход Паша 183 вновь обратил внимание на российский стрит-арт | Baibakov Art Projects

  6. Pingback: Poslednyi Geroi: Georgy Guryanov (1961-2013) | Baibakov Art Projects

  7. Pingback: Последний герой: Георгий Гурьянов ( 1961-2013) | Baibakov Art Projects

  8. Pingback: Kandinsky Prize releases it 2013 Shortlist | Baibakov Art Projects

  9. Pingback: Объявлены номинанты премии Кандинского 2013 | Baibakov Art Projects

  10. Pingback: Former New Artists sue Sergey Bugaev Afrika over “Lost” Paintings from the late 1980s | Baibakov Art Projects

  11. Pingback: Бывшие «Новые Художники» судятся с Сергеем Бугаевым-Африкой за картины утраченные в 1980е | Baibakov Art Projects

  12. Pingback: Innovation honors Monroe, FIAC in Petersburg, and Bugaev Strikes Again | Baibakov Art Projects

  13. Pingback: Let’s Change It All: Sydney Biennale’s parting with Transfield gives hope to Manifesta protests | Baibakov Art Projects

  14. Pingback: #10 PoSo/PoMo | Camp, Kitsch, and Poshlost'

  15. Pingback: Love Stories: Margarita Tupitsyn curates the Russian Pavilion, while much (Slavic) ado in Baku and London | Baibakov Art Projects

  16. Pingback: Love Stories: Margarita Tupitsyn curates the Russian Pavilion, while much ado in Baku and London | Baibakov Art Projects

  17. J’ai connu Mamyshev Vladislav en 1989 avec le groupe “Lem” que j’avais fait venir à Strasbourg en France lors du sommet des chefs d’état européen. Je suis venu à St Pedersbourg (Leningrad) l’année suivante où j’ai fait la connaissance de Africa et Koslov. Puis quelques années après le hasard a voulu que l’on se retrouve à Paris au musée du Jeu de Pomme. Vladis nous a accompagné quelques jours à strasbourg. Avec ma femme nous gardons de lui un souvenir d’émotions intenses.

  18. Pingback: Pavilion Politics, Power-Players and a lot of Prizes | Baibakov Art Projects

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s